Here’s hoping we get to see Cooper have another shot at evil in the future. Lynch’s finale ultimately makes this grand statement understandable and unavoidable it’s what “Twin Peaks” is all about. It’s destined to keep repeating itself but as long as we have Dale Cooper’s in the world, good will always have a shot.
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Part 18 ended the series by saying that fight never ends. Part 8 turned the scope of “Twin Peaks” into a grand fight between evil (Judy appears to be the monster figure that gave birth to BOB) and good (the Fireman gives birth to Laura Palmer, the only being that can defeat the evil created by the atomic bomb). But good will keep trying nonetheless that’s the optimism of David Lynch. Evil triumphs good in the alternate dimension when Carrie Page reawakens as a horrified Laura Palmer. Evil triumphs good in the past when Judy eliminates Laura from the timeline. By the end of Part 18, it’s clear Jeffries was warning Cooper that to enter the past would be to enter a never-ending loop in which good battles evil across timelines and planes of reality. It’s a different timeline that’s somehow, at its core, exactly the same.īefore Phillip Jeffries allowed Cooper to enter the past in Part 17, his smoke took the shape of an infinity sign. Wherever Judy brought Laura, it was still a place where the Black Lodge influence could be felt and it was still a place where Cooper arrived on orders of the Fireman to save her. These easter eggs all suggest one thing: The timeline may be different, but the age old battle between good and evil for Laura Palmer’s soul continues. Tremond and gave her a painting that acted as a portal from her bedroom to the lodge). Chalfont was at the trailer park where Theresa Banks died, and she later appeared to Laura as Ms. These last names should sound familiar, as they trace back to Black Lodge entities (Ms. Sarah Palmer didn’t answer but Alice Tremond did, and she told the pair that she bought the house from a Mrs. Read More: ‘Twin Peaks’ Finale Review: David Lynch Steps Outside of the Dream for a Brilliant, Mindbending Final JourneyĮven more telling was what happened when Cooper/Richard and Laura/Carrie finally made it back to Twin Peaks and knocked on the door of what should’ve been Laura’s home. Of course, the last shot of the series proved Cooper didn’t succeed. By entering the alternate dimension (one stone), Cooper had the chance to save Laura and defeat Judy (something that was no longer possible in the show’s traditional timeline). The Fireman was basically giving Cooper the back-up plan should his first attempt not prove successful. So what does all of this mean? We may never know for certain, but the Fireman must have known that Judy was powerful enough to create another timeline so that Laura couldn’t easily be saved. I’m trying to kill two birds with one stone.’ Now the last thing Cooper told me was, ‘If I disappear like, do everything you can to find me. When Cooper read the letter Diane had left him, she signed the note “Linda” and addressed him as “Richard.” Lastly, Gordon Cole revealed at the start of Part 17 that “two birds, one stone” was the last thing Cooper said to him before his disappeanrce. Richard and Linda were the new names of Cooper and Diane, respectively.
Two birds, one stone.” Nearly 18 hours later, this line finally paid off.įor viewers paying close attention, 430 was the mile number in which Cooper and Diane hit before being taken to other side of whatever dimension Judy created. In one of the earliest scenes in “The Return,” the Fireman told Cooper in the Red Room something that proved to be one of the biggest clues to making sense of the end: “Remember 430.
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